| The nyckelharpa in the CADENCE project - by Esbjörn Hogmark |
| Nyckelharpa manufacturing in Sweden - by Esbjörn Hogmark |
| "A keyed vielle" – Construction of the instrument from the fresco in Siena, 1408 by Silver Plachesi (guest article) |
Historische Spurensuche - Von der Schlüsselfidel zur Nyckelharpa (German) - by Per-Ulf Allmo (guest article)
History of the Nyckelharpa (English) - Nyckelharpans historia (Swedish)
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| Care and maintenance of the nyckelharpa - by Annette Osann |
| About tuning - by Emilia Amper |
| Nyckelharpa in music schools, the beginning – Interview with Anders Liljefors - by Ditte Andersson |
| How it all started with Swedish folk music at the Royal College of Music (KMH) - by Ole Hjorth (guest article) |
Folkmusicinstitutionen på Kungliga Musikhögskolan i Stockholm – En personlig tillbakablick på 30 år av folkmusikutbildning (Swedish)
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| Swedish schools for music and arts - by Dag Krafft (guest article) - Link to the original website by kind permission of the author |
| Musical education in Germany - by Angelika Maier |
| Musical education in Italy - by Gioele Sindona |
| Tre modelli di insegnamento della nyckelharpa / Comparison of three models of teaching nyckelharpa (in Italian) - by Gioele Sindona |
| Self-learning by the example of nyckelharpa - by Jule Bauer |
| The nyckelharpa as a bowed instrument in music education for young children - by Susanne Brameshuber (guest article) |
| The search for a methodology in devising exercises suitable for different types of nyckelharpa - by Marco Ambrosini |
| Body, instrument and swing, one unit - by Josephina Paulson |
| The language of mind and body in the nyckelharpa practice - by Corrado Bungaro |
| Playing in a relaxed way to avoid tendonitis - by Didier François |
| The motion in bowing - by David Eriksson |
| Anhemitonische Heptatonik auf traditionsmusikalischer Basis in Hinblick auf die Nyckelharpa / Concepts of tonality (in German) - by Boris Koller |
| Arranging a rock-tune for nyckelharpa ensemble - by Davide Castiglia |
| Analysis of a contemporary tune – "La Musa danzante" - by Renzo Ruggiero |
| Running a Learning Partnership - Aspects of project-management - by Karsten Evers |
From disappearing relict to world music instrument: An example of musical globalisation - by Jan Ling (guest article)
- New international researches will be done for this article. It will be published 2012
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Combining the best of two worlds - by Emilia Amper - This article will be added later
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